<?xml version="1.0" encoding="UTF-8"?>
<?xml-stylesheet type="text/xsl" href="https://www.nightminute.com/cm/wp-content/plugins/seriously-simple-podcasting/templates/feed-stylesheet.xsl"?><rss version="2.0"
	 xmlns:content="http://purl.org/rss/1.0/modules/content/"
	 xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	 xmlns:dc="http://purl.org/dc/elements/1.1/"
	 xmlns:atom="http://www.w3.org/2005/Atom"
	 xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	 xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	 xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd"
	 xmlns:googleplay="http://www.google.com/schemas/play-podcasts/1.0"
	 xmlns:podcast="https://podcastindex.org/namespace/1.0"
	>
		<channel>
		<title>Into the Night Minute Podcast</title>
		<atom:link href="https://www.nightminute.com/cm/feed/podcast/week-11/" rel="self" type="application/rss+xml"/>
		<link>https://www.nightminute.com/cm/series/week-11/</link>
		<description>Minute-by-Minute discussion of John Landis&#039;s 1985 comedy thriller</description>
		<lastBuildDate>Sun, 05 Apr 2020 15:41:36 +0000</lastBuildDate>
		<language>en-US</language>
		<copyright>© 2019 Jim O&#039;Kane All Rights Reserved</copyright>
		<itunes:subtitle>Minute-by-Minute discussion of John Landis&#039;s 1985 comedy thriller</itunes:subtitle>
		<itunes:author>Into the Night Minute Podcast</itunes:author>
		<itunes:summary>Minute-by-Minute discussion of John Landis&#039;s 1985 comedy thriller</itunes:summary>
		<itunes:owner>
			<itunes:name>Into the Night Minute Podcast</itunes:name>
			<itunes:email>jim@nightminute.com</itunes:email>
		</itunes:owner>
		<itunes:explicit>clean</itunes:explicit>
		<itunes:image href="http://www.nightminute.com/cm/wp-content/uploads/2019/02/ITN-cover.jpg"></itunes:image>
			<image>
				<url>http://www.nightminute.com/cm/wp-content/uploads/2019/02/ITN-cover.jpg</url>
				<title>Into the Night Minute Podcast</title>
				<link>https://www.nightminute.com/cm/</link>
			</image>
		<itunes:category text="TV &amp; Film">
		</itunes:category>
		<googleplay:author><![CDATA[Into the Night Minute Podcast]]></googleplay:author>
			<googleplay:email>jim@nightminute.com</googleplay:email>
			<googleplay:description></googleplay:description>
			<googleplay:explicit>No</googleplay:explicit>
			<googleplay:image href="http://www.nightminute.com/cm/wp-content/uploads/2019/02/ITN-cover.jpg"></googleplay:image>
			<podcast:locked owner="jim@nightminute.com">yes</podcast:locked>
		<podcast:guid>fd5ece01-e1ef-5f68-a906-0552218f8f88</podcast:guid>
		
		<!-- podcast_generator="SSP by Castos/2.19.1" Seriously Simple Podcasting plugin for WordPress (https://wordpress.org/plugins/seriously-simple-podcasting/) -->
		<generator>https://wordpress.org/?v=5.9.13</generator>

<item>
	<title>Minute 055: It&#8217;s Been an Experience</title>
	<link>https://www.nightminute.com/cm/podcast/minute-055-its-been-an-experience/</link>
	<pubDate>Fri, 26 Apr 2019 01:00:46 +0000</pubDate>
	<dc:creator><![CDATA[Into the Night Minute Podcast]]></dc:creator>
	<guid isPermaLink="false">http://www.nightminute.com/cm/?post_type=podcast&#038;p=1675</guid>
	<description><![CDATA[Ed and Diana drive along the Avenue of the Stars. Hamid told Diana he'd take care of everything, so she's very happy. Ed smiles at her.&nbsp;

"The King Lives" Cadillac passes the fountain at 4400 Avenue of the Stars, then turns in front of Century Towers at 2200 Avenue of the Stars.&nbsp;

Diana pulls up to the front door of Century Towers. "Hi Jimmy!" she says to the doorman.&nbsp;

"Hey, beautiful lady!" replies Jimmy. "What's happening?"

"Mister Muradi in?" asks Diana.&nbsp;

"Yeah," says Jimmy, "the man's expecting you."

"I'll be right up," says Diana.&nbsp;

"Okay," says Jimmy, and moves away from the car.&nbsp;

Ed looks at her. "Well," he says, "Okay, good luck!"

"Oh, Ed," says Diana, "I don't know what to say!"

"It's been, uh," says Ed, "an experience."

Diana laughs. "I can't even give you a number," she says, "I don't know where I'll be!"

"Yeah," says Ed,"Well - "]]></description>
	<itunes:subtitle><![CDATA[Ed and Diana drive along the Avenue of the Stars. Hamid told Diana hed take care of everything, so shes very happy. Ed smiles at her.&nbsp;

The King Lives Cadillac passes the fountain at 4400 Avenue of the Stars, then turns in front of Century Towers at]]></itunes:subtitle>
	<content:encoded><![CDATA[Ed and Diana drive along the Avenue of the Stars. Hamid told Diana he'd take care of everything, so she's very happy. Ed smiles at her.&nbsp;

"The King Lives" Cadillac passes the fountain at 4400 Avenue of the Stars, then turns in front of Century Towers at 2200 Avenue of the Stars.&nbsp;

Diana pulls up to the front door of Century Towers. "Hi Jimmy!" she says to the doorman.&nbsp;

"Hey, beautiful lady!" replies Jimmy. "What's happening?"

"Mister Muradi in?" asks Diana.&nbsp;

"Yeah," says Jimmy, "the man's expecting you."

"I'll be right up," says Diana.&nbsp;

"Okay," says Jimmy, and moves away from the car.&nbsp;

Ed looks at her. "Well," he says, "Okay, good luck!"

"Oh, Ed," says Diana, "I don't know what to say!"

"It's been, uh," says Ed, "an experience."

Diana laughs. "I can't even give you a number," she says, "I don't know where I'll be!"

"Yeah," says Ed,"Well - "]]></content:encoded>
	<enclosure url="https://www.nightminute.com/cm/podcast-download/1675/minute-055-its-been-an-experience.mp3" length="35651584" type="audio/mpeg"></enclosure>
	<itunes:summary><![CDATA[Ed and Diana drive along the Avenue of the Stars. Hamid told Diana he'd take care of everything, so she's very happy. Ed smiles at her.&nbsp;

"The King Lives" Cadillac passes the fountain at 4400 Avenue of the Stars, then turns in front of Century Towers at 2200 Avenue of the Stars.&nbsp;

Diana pulls up to the front door of Century Towers. "Hi Jimmy!" she says to the doorman.&nbsp;

"Hey, beautiful lady!" replies Jimmy. "What's happening?"

"Mister Muradi in?" asks Diana.&nbsp;

"Yeah," says Jimmy, "the man's expecting you."

"I'll be right up," says Diana.&nbsp;

"Okay," says Jimmy, and moves away from the car.&nbsp;

Ed looks at her. "Well," he says, "Okay, good luck!"

"Oh, Ed," says Diana, "I don't know what to say!"

"It's been, uh," says Ed, "an experience."

Diana laughs. "I can't even give you a number," she says, "I don't know where I'll be!"

"Yeah," says Ed,"Well - "]]></itunes:summary>
	<itunes:image href="https://www.nightminute.com/cm/wp-content/uploads/2019/04/itn055.jpg"></itunes:image>
	<image>
		<url>https://www.nightminute.com/cm/wp-content/uploads/2019/04/itn055.jpg</url>
		<title>Minute 055: It&#8217;s Been an Experience</title>
	</image>
	<itunes:explicit>clean</itunes:explicit>
	<itunes:block>no</itunes:block>
	<itunes:duration>36:10</itunes:duration>
	<itunes:author><![CDATA[Into the Night Minute Podcast]]></itunes:author>	<googleplay:description><![CDATA[Ed and Diana drive along the Avenue of the Stars. Hamid told Diana he'd take care of everything, so she's very happy. Ed smiles at her.&nbsp;

"The King Lives" Cadillac passes the fountain at 4400 Avenue of the Stars, then turns in front of Century Towers at 2200 Avenue of the Stars.&nbsp;

Diana pulls up to the front door of Century Towers. "Hi Jimmy!" she says to the doorman.&nbsp;

"Hey, beautiful lady!" replies Jimmy. "What's happening?"

"Mister Muradi in?" asks Diana.&nbsp;

"Yeah," says Jimmy, "the man's expecting you."

"I'll be right up," says Diana.&nbsp;

"Okay," says Jimmy, and moves away from the car.&nbsp;

Ed looks at her. "Well," he says, "Okay, good luck!"

"Oh, Ed," says Diana, "I don't know what to say!"

"It's been, uh," says Ed, "an experience."

Diana laughs. "I can't even give you a number," she says, "I don't know where I'll be!"

"Yeah," says Ed,"Well - "]]></googleplay:description>
	<googleplay:image href="https://www.nightminute.com/cm/wp-content/uploads/2019/04/itn055.jpg"></googleplay:image>
	<googleplay:explicit>No</googleplay:explicit>
	<googleplay:block>no</googleplay:block>
</item>

<item>
	<title>Minute 054: Is My Husband Giving You Any Trouble?</title>
	<link>https://www.nightminute.com/cm/podcast/minute-054-is-my-husband-giving-you-any-trouble/</link>
	<pubDate>Thu, 25 Apr 2019 01:00:54 +0000</pubDate>
	<dc:creator><![CDATA[Into the Night Minute Podcast]]></dc:creator>
	<guid isPermaLink="false">http://www.nightminute.com/cm/?post_type=podcast&#038;p=1673</guid>
	<description><![CDATA[An LAPD officer asks Ed if they can help.

"I think you just did," says Ed.&nbsp;

"Are you a guest at the hotel?" asks the officer.&nbsp;

"No," says Ed. "No, I'm waiting for someone to pick me up."

"And who would that be?" asks the officer.&nbsp;

"Um..." says Ed, "my...wife?"

"Are you aware, sir, that it's almost three thirty in the morning?" asks the officer.

"Really?" says Ed, looking at his wristwatch. "No, is it that late?"

"May I see some identification?" asks the officer.

Ed nods, and starts patting his jacket pockets for an ID.&nbsp;

Just then, a car honk beeps. It's Diana, in The King Lives! Cadillac, pulling up next to the patrol car.&nbsp;

Diana flashes her sunniest smile. "Is my husband giving you any trouble, Officers?"&nbsp;

In the next scene, Ed and Diana are breezing down the street in the Cadillac.&nbsp;

"Diana, this guy put a gun in my mouth!" says Ed.&nbsp;

"Are you sure he was English?" asks Diana.&nbsp;

"Now, you've&nbsp; never heard of this Frenchman?" asks Ed.&nbsp;

Diana shakes her head. "I don't know a Frenchman."

"Uh-huh," says Ed. "Where are the stones?"

"The stones are safe," says Diana. "It's alright."

"The stones are safe," repeats Ed. "What about us? Are we safe?"

"Hamid said he'd take care of everything," says Diana, smiling.]]></description>
	<itunes:subtitle><![CDATA[An LAPD officer asks Ed if they can help.

I think you just did, says Ed.&nbsp;

Are you a guest at the hotel? asks the officer.&nbsp;

No, says Ed. No, Im waiting for someone to pick me up.

And who would that be? asks the officer.&nbsp;

Um... says Ed,]]></itunes:subtitle>
	<content:encoded><![CDATA[An LAPD officer asks Ed if they can help.

"I think you just did," says Ed.&nbsp;

"Are you a guest at the hotel?" asks the officer.&nbsp;

"No," says Ed. "No, I'm waiting for someone to pick me up."

"And who would that be?" asks the officer.&nbsp;

"Um..." says Ed, "my...wife?"

"Are you aware, sir, that it's almost three thirty in the morning?" asks the officer.

"Really?" says Ed, looking at his wristwatch. "No, is it that late?"

"May I see some identification?" asks the officer.

Ed nods, and starts patting his jacket pockets for an ID.&nbsp;

Just then, a car honk beeps. It's Diana, in The King Lives! Cadillac, pulling up next to the patrol car.&nbsp;

Diana flashes her sunniest smile. "Is my husband giving you any trouble, Officers?"&nbsp;

In the next scene, Ed and Diana are breezing down the street in the Cadillac.&nbsp;

"Diana, this guy put a gun in my mouth!" says Ed.&nbsp;

"Are you sure he was English?" asks Diana.&nbsp;

"Now, you've&nbsp; never heard of this Frenchman?" asks Ed.&nbsp;

Diana shakes her head. "I don't know a Frenchman."

"Uh-huh," says Ed. "Where are the stones?"

"The stones are safe," says Diana. "It's alright."

"The stones are safe," repeats Ed. "What about us? Are we safe?"

"Hamid said he'd take care of everything," says Diana, smiling.]]></content:encoded>
	<enclosure url="https://www.nightminute.com/cm/podcast-download/1673/minute-054-is-my-husband-giving-you-any-trouble.mp3" length="31457280" type="audio/mpeg"></enclosure>
	<itunes:summary><![CDATA[An LAPD officer asks Ed if they can help.

"I think you just did," says Ed.&nbsp;

"Are you a guest at the hotel?" asks the officer.&nbsp;

"No," says Ed. "No, I'm waiting for someone to pick me up."

"And who would that be?" asks the officer.&nbsp;

"Um..." says Ed, "my...wife?"

"Are you aware, sir, that it's almost three thirty in the morning?" asks the officer.

"Really?" says Ed, looking at his wristwatch. "No, is it that late?"

"May I see some identification?" asks the officer.

Ed nods, and starts patting his jacket pockets for an ID.&nbsp;

Just then, a car honk beeps. It's Diana, in The King Lives! Cadillac, pulling up next to the patrol car.&nbsp;

Diana flashes her sunniest smile. "Is my husband giving you any trouble, Officers?"&nbsp;

In the next scene, Ed and Diana are breezing down the street in the Cadillac.&nbsp;

"Diana, this guy put a gun in my mouth!" says Ed.&nbsp;

"Are you sure he was English?" asks Diana.&nbsp;

"Now, you've&nbsp; never heard of this Frenchman?" asks Ed.&nbsp;

Diana shakes her head. "I don't know a Frenchman."

"Uh-huh," says Ed. "Where are the stones?"

"The stones are safe," says Diana. "It's alright."

"The stones are safe," repeats Ed. "What about us? Are we safe?"

"Hamid said he'd take care of everything," says Diana, smiling.]]></itunes:summary>
	<itunes:image href="https://www.nightminute.com/cm/wp-content/uploads/2019/04/itn054.jpg"></itunes:image>
	<image>
		<url>https://www.nightminute.com/cm/wp-content/uploads/2019/04/itn054.jpg</url>
		<title>Minute 054: Is My Husband Giving You Any Trouble?</title>
	</image>
	<itunes:explicit>clean</itunes:explicit>
	<itunes:block>no</itunes:block>
	<itunes:duration>32:49</itunes:duration>
	<itunes:author><![CDATA[Into the Night Minute Podcast]]></itunes:author>	<googleplay:description><![CDATA[An LAPD officer asks Ed if they can help.

"I think you just did," says Ed.&nbsp;

"Are you a guest at the hotel?" asks the officer.&nbsp;

"No," says Ed. "No, I'm waiting for someone to pick me up."

"And who would that be?" asks the officer.&nbsp;

"Um..." says Ed, "my...wife?"

"Are you aware, sir, that it's almost three thirty in the morning?" asks the officer.

"Really?" says Ed, looking at his wristwatch. "No, is it that late?"

"May I see some identification?" asks the officer.

Ed nods, and starts patting his jacket pockets for an ID.&nbsp;

Just then, a car honk beeps. It's Diana, in The King Lives! Cadillac, pulling up next to the patrol car.&nbsp;

Diana flashes her sunniest smile. "Is my husband giving you any trouble, Officers?"&nbsp;

In the next scene, Ed and Diana are breezing down the street in the Cadillac.&nbsp;

"Diana, this guy put a gun in my mouth!" says Ed.&nbsp;

"Are you sure he was English?" asks Diana.&nbsp;

"Now, you've&nbsp; never heard of this Frenchman]]></googleplay:description>
	<googleplay:image href="https://www.nightminute.com/cm/wp-content/uploads/2019/04/itn054.jpg"></googleplay:image>
	<googleplay:explicit>No</googleplay:explicit>
	<googleplay:block>no</googleplay:block>
</item>

<item>
	<title>Minute 053: Where are the Stones?</title>
	<link>https://www.nightminute.com/cm/podcast/minute-053-where-are-the-stones/</link>
	<pubDate>Wed, 24 Apr 2019 01:00:18 +0000</pubDate>
	<dc:creator><![CDATA[Into the Night Minute Podcast]]></dc:creator>
	<guid isPermaLink="false">http://www.nightminute.com/cm/?post_type=podcast&#038;p=1587</guid>
	<description><![CDATA[Colin Morris is explaining more of the background on the jewels Diana's smuggled out of Iran.&nbsp; Colin assures Ed that he will be "far more reasonable than the SAVAK."

"The SAVAK?" asks Ed.

"The Shah's secret police," replies Colin.&nbsp; "Death squad. Iranian gestapo. <em>Shaheen's</em>&nbsp;boys."

" ...Shaheen's boys...," says Ed, uncomprehending.

Colin laughs. "I like you Ed," says Colin, "I do like you. You're very good."

Colin draws a pistol, and puts it in Ed's mouth.

"The stones," says Colin, simply.

"What?" replies Ed, pistol in mouth.

"Where are the stones?" repeats Colin.

"I can't help you," mumbles Ed around the gun in his mouth

Colin cocks the pistol. "We do understand each other, don't we?" he asks,

"Uh, I don't know," mumbles Ed.&nbsp;

Over Ed's shoulder, Colin sees an LAPD cruiser approaching. Colin puts the pistol away, and smiles knowingly.

"Very good," says Colin, "Very impressive. I'm sure we'll chat again."&nbsp; Colin steps away from Ed, into the shadows, as the police car pulls up. Ed steps toward the approaching patrol car.&nbsp;

"Can I help you, sir?" asks one of the officers.&nbsp;]]></description>
	<itunes:subtitle><![CDATA[Colin Morris is explaining more of the background on the jewels Dianas smuggled out of Iran.&nbsp; Colin assures Ed that he will be far more reasonable than the SAVAK.

The SAVAK? asks Ed.

The Shahs secret police, replies Colin.&nbsp; Death squad. Irani]]></itunes:subtitle>
	<content:encoded><![CDATA[Colin Morris is explaining more of the background on the jewels Diana's smuggled out of Iran.&nbsp; Colin assures Ed that he will be "far more reasonable than the SAVAK."

"The SAVAK?" asks Ed.

"The Shah's secret police," replies Colin.&nbsp; "Death squad. Iranian gestapo. <em>Shaheen's</em>&nbsp;boys."

" ...Shaheen's boys...," says Ed, uncomprehending.

Colin laughs. "I like you Ed," says Colin, "I do like you. You're very good."

Colin draws a pistol, and puts it in Ed's mouth.

"The stones," says Colin, simply.

"What?" replies Ed, pistol in mouth.

"Where are the stones?" repeats Colin.

"I can't help you," mumbles Ed around the gun in his mouth

Colin cocks the pistol. "We do understand each other, don't we?" he asks,

"Uh, I don't know," mumbles Ed.&nbsp;

Over Ed's shoulder, Colin sees an LAPD cruiser approaching. Colin puts the pistol away, and smiles knowingly.

"Very good," says Colin, "Very impressive. I'm sure we'll chat again."&nbsp; Colin steps away from Ed, into the shadows, as the police car pulls up. Ed steps toward the approaching patrol car.&nbsp;

"Can I help you, sir?" asks one of the officers.&nbsp;]]></content:encoded>
	<enclosure url="https://www.nightminute.com/cm/podcast-download/1587/minute-053-where-are-the-stones.mp3" length="58720256" type="audio/mpeg"></enclosure>
	<itunes:summary><![CDATA[Colin Morris is explaining more of the background on the jewels Diana's smuggled out of Iran.&nbsp; Colin assures Ed that he will be "far more reasonable than the SAVAK."

"The SAVAK?" asks Ed.

"The Shah's secret police," replies Colin.&nbsp; "Death squad. Iranian gestapo. Shaheen's&nbsp;boys."

" ...Shaheen's boys...," says Ed, uncomprehending.

Colin laughs. "I like you Ed," says Colin, "I do like you. You're very good."

Colin draws a pistol, and puts it in Ed's mouth.

"The stones," says Colin, simply.

"What?" replies Ed, pistol in mouth.

"Where are the stones?" repeats Colin.

"I can't help you," mumbles Ed around the gun in his mouth

Colin cocks the pistol. "We do understand each other, don't we?" he asks,

"Uh, I don't know," mumbles Ed.&nbsp;

Over Ed's shoulder, Colin sees an LAPD cruiser approaching. Colin puts the pistol away, and smiles knowingly.

"Very good," says Colin, "Very impressive. I'm sure we'll chat again."&nbsp; Colin steps away from Ed, into the shadows, as the police car pulls up. Ed steps toward the approaching patrol car.&nbsp;

"Can I help you, sir?" asks one of the officers.&nbsp;]]></itunes:summary>
	<itunes:image href="https://www.nightminute.com/cm/wp-content/uploads/2019/04/itn053.jpg"></itunes:image>
	<image>
		<url>https://www.nightminute.com/cm/wp-content/uploads/2019/04/itn053.jpg</url>
		<title>Minute 053: Where are the Stones?</title>
	</image>
	<itunes:explicit>clean</itunes:explicit>
	<itunes:block>no</itunes:block>
	<itunes:duration>1:00:32</itunes:duration>
	<itunes:author><![CDATA[Into the Night Minute Podcast]]></itunes:author>	<googleplay:description><![CDATA[Colin Morris is explaining more of the background on the jewels Diana's smuggled out of Iran.&nbsp; Colin assures Ed that he will be "far more reasonable than the SAVAK."

"The SAVAK?" asks Ed.

"The Shah's secret police," replies Colin.&nbsp; "Death squad. Iranian gestapo. Shaheen's&nbsp;boys."

" ...Shaheen's boys...," says Ed, uncomprehending.

Colin laughs. "I like you Ed," says Colin, "I do like you. You're very good."

Colin draws a pistol, and puts it in Ed's mouth.

"The stones," says Colin, simply.

"What?" replies Ed, pistol in mouth.

"Where are the stones?" repeats Colin.

"I can't help you," mumbles Ed around the gun in his mouth

Colin cocks the pistol. "We do understand each other, don't we?" he asks,

"Uh, I don't know," mumbles Ed.&nbsp;

Over Ed's shoulder, Colin sees an LAPD cruiser approaching. Colin puts the pistol away, and smiles knowingly.

"Very good," says Colin, "Very impressive. I'm sure we'll chat again."&nbsp; Colin steps away from Ed, into the shadows, a]]></googleplay:description>
	<googleplay:image href="https://www.nightminute.com/cm/wp-content/uploads/2019/04/itn053.jpg"></googleplay:image>
	<googleplay:explicit>No</googleplay:explicit>
	<googleplay:block>no</googleplay:block>
</item>

<item>
	<title>Minute 052: You&#8217;re Really Very Good</title>
	<link>https://www.nightminute.com/cm/podcast/minute-052-youre-really-very-good/</link>
	<pubDate>Tue, 23 Apr 2019 01:00:05 +0000</pubDate>
	<dc:creator><![CDATA[Into the Night Minute Podcast]]></dc:creator>
	<guid isPermaLink="false">http://www.nightminute.com/cm/?post_type=podcast&#038;p=1671</guid>
	<description><![CDATA[The two SAVAK guys look up and down Rodeo Drive as they stand in the middle of the street, trying to spot Ed.&nbsp;

The tailor breathes a sigh of relief that the SAVAK guys didn't shoot up his front door.&nbsp;

Ed arrives in front of&nbsp; the closed doors of Tiffanys, where he is supposed to meet Diana. He leans up against the wall of the store and closes his eyes.&nbsp;

"You're very good," someone says. Ed opens his eyes. A man in a shabby suit and ill-fitting tie addresses him.&nbsp;

"You're really very good," repeats he man, smiling. "I'm amazed we've not met before."

"I beg your pardon?" says Ed.

"I've been watching you," says the man, "ever since you've left Caper's yacht. Very impressive."

"Oh yeah?" says Ed.

"You can stop performing now, Ed," replies the man, "if that's your name.'"

"What are you talking about?" asks Ed.

"Okay," says the man, "I represent Monsieur Melville, and I can assure that he can be -"&nbsp;]]></description>
	<itunes:subtitle><![CDATA[The two SAVAK guys look up and down Rodeo Drive as they stand in the middle of the street, trying to spot Ed.&nbsp;

The tailor breathes a sigh of relief that the SAVAK guys didnt shoot up his front door.&nbsp;

Ed arrives in front of&nbsp; the closed do]]></itunes:subtitle>
	<content:encoded><![CDATA[The two SAVAK guys look up and down Rodeo Drive as they stand in the middle of the street, trying to spot Ed.&nbsp;

The tailor breathes a sigh of relief that the SAVAK guys didn't shoot up his front door.&nbsp;

Ed arrives in front of&nbsp; the closed doors of Tiffanys, where he is supposed to meet Diana. He leans up against the wall of the store and closes his eyes.&nbsp;

"You're very good," someone says. Ed opens his eyes. A man in a shabby suit and ill-fitting tie addresses him.&nbsp;

"You're really very good," repeats he man, smiling. "I'm amazed we've not met before."

"I beg your pardon?" says Ed.

"I've been watching you," says the man, "ever since you've left Caper's yacht. Very impressive."

"Oh yeah?" says Ed.

"You can stop performing now, Ed," replies the man, "if that's your name.'"

"What are you talking about?" asks Ed.

"Okay," says the man, "I represent Monsieur Melville, and I can assure that he can be -"&nbsp;]]></content:encoded>
	<enclosure url="https://www.nightminute.com/cm/podcast-download/1671/minute-052-youre-really-very-good.mp3" length="53477376" type="audio/mpeg"></enclosure>
	<itunes:summary><![CDATA[The two SAVAK guys look up and down Rodeo Drive as they stand in the middle of the street, trying to spot Ed.&nbsp;

The tailor breathes a sigh of relief that the SAVAK guys didn't shoot up his front door.&nbsp;

Ed arrives in front of&nbsp; the closed doors of Tiffanys, where he is supposed to meet Diana. He leans up against the wall of the store and closes his eyes.&nbsp;

"You're very good," someone says. Ed opens his eyes. A man in a shabby suit and ill-fitting tie addresses him.&nbsp;

"You're really very good," repeats he man, smiling. "I'm amazed we've not met before."

"I beg your pardon?" says Ed.

"I've been watching you," says the man, "ever since you've left Caper's yacht. Very impressive."

"Oh yeah?" says Ed.

"You can stop performing now, Ed," replies the man, "if that's your name.'"

"What are you talking about?" asks Ed.

"Okay," says the man, "I represent Monsieur Melville, and I can assure that he can be -"&nbsp;]]></itunes:summary>
	<itunes:image href="https://www.nightminute.com/cm/wp-content/uploads/2019/04/itn052.jpg"></itunes:image>
	<image>
		<url>https://www.nightminute.com/cm/wp-content/uploads/2019/04/itn052.jpg</url>
		<title>Minute 052: You&#8217;re Really Very Good</title>
	</image>
	<itunes:explicit>clean</itunes:explicit>
	<itunes:block>no</itunes:block>
	<itunes:duration>27:32</itunes:duration>
	<itunes:author><![CDATA[Into the Night Minute Podcast]]></itunes:author>	<googleplay:description><![CDATA[The two SAVAK guys look up and down Rodeo Drive as they stand in the middle of the street, trying to spot Ed.&nbsp;

The tailor breathes a sigh of relief that the SAVAK guys didn't shoot up his front door.&nbsp;

Ed arrives in front of&nbsp; the closed doors of Tiffanys, where he is supposed to meet Diana. He leans up against the wall of the store and closes his eyes.&nbsp;

"You're very good," someone says. Ed opens his eyes. A man in a shabby suit and ill-fitting tie addresses him.&nbsp;

"You're really very good," repeats he man, smiling. "I'm amazed we've not met before."

"I beg your pardon?" says Ed.

"I've been watching you," says the man, "ever since you've left Caper's yacht. Very impressive."

"Oh yeah?" says Ed.

"You can stop performing now, Ed," replies the man, "if that's your name.'"

"What are you talking about?" asks Ed.

"Okay," says the man, "I represent Monsieur Melville, and I can assure that he can be -"&nbsp;]]></googleplay:description>
	<googleplay:image href="https://www.nightminute.com/cm/wp-content/uploads/2019/04/itn052.jpg"></googleplay:image>
	<googleplay:explicit>No</googleplay:explicit>
	<googleplay:block>no</googleplay:block>
</item>

<item>
	<title>Minute 051: Don&#8217;t Shoot!</title>
	<link>https://www.nightminute.com/cm/podcast/minute-051-dont-shoot/</link>
	<pubDate>Mon, 22 Apr 2019 01:00:23 +0000</pubDate>
	<dc:creator><![CDATA[Into the Night Minute Podcast]]></dc:creator>
	<guid isPermaLink="false">http://www.nightminute.com/cm/?post_type=podcast&#038;p=1669</guid>
	<description><![CDATA[Mister Williams taps the bearded man using the phone on the shoulder.&nbsp;

"Listen, Bernie, I'll call you back later," says the man on the phone. He hangs up and leaves quickly.&nbsp;

Hamid sits down next to the phone.&nbsp;

Back in the ladies' lounge, Diana answers the phone.&nbsp;

"Hamid?" she says.&nbsp;

"Just a moment, Diane," Hamid replies. He looks at Mister Williams, who looks at Ed.&nbsp;

Meanwhile, at the Battaglia tailor's shop, the SAVAK man who fell on Ed's car is eating caviar on a cracker. A woman on his lap sips champagne, while another woman eats shrimp cocktail. The SAVAK man with the neck scar removes his pants as the tailor measures his suit jacket.&nbsp;

Ed walks by the front of Battaglia's and looks in the window.&nbsp;

The SAVAK guy who jumped on Ed's car makes a comment to the SAVAK with the scar. The scarred SAVAK turns, and spots Ed through the window.&nbsp; He reaches for his pants on the floor, grabs his gun, and runs, pantsless, toward the front door. The other SAVAK guy shoves the woman on his lap out of the way, and follows the scarred SAVAK guy to the door. Both wave their guns at the door, about to fire.&nbsp;

"No! Don't!" yells the tailor, "Wait!" The tailor throws himself between the front door and the SAVAK men.&nbsp;

"Don't shoot!" he says, as he unlocks the door. The two SAVAK men run to the middle of the deserted Rodeo Drive, and point their guns up and down the street.&nbsp;]]></description>
	<itunes:subtitle><![CDATA[Mister Williams taps the bearded man using the phone on the shoulder.&nbsp;

Listen, Bernie, Ill call you back later, says the man on the phone. He hangs up and leaves quickly.&nbsp;

Hamid sits down next to the phone.&nbsp;

Back in the ladies lounge, D]]></itunes:subtitle>
	<content:encoded><![CDATA[Mister Williams taps the bearded man using the phone on the shoulder.&nbsp;

"Listen, Bernie, I'll call you back later," says the man on the phone. He hangs up and leaves quickly.&nbsp;

Hamid sits down next to the phone.&nbsp;

Back in the ladies' lounge, Diana answers the phone.&nbsp;

"Hamid?" she says.&nbsp;

"Just a moment, Diane," Hamid replies. He looks at Mister Williams, who looks at Ed.&nbsp;

Meanwhile, at the Battaglia tailor's shop, the SAVAK man who fell on Ed's car is eating caviar on a cracker. A woman on his lap sips champagne, while another woman eats shrimp cocktail. The SAVAK man with the neck scar removes his pants as the tailor measures his suit jacket.&nbsp;

Ed walks by the front of Battaglia's and looks in the window.&nbsp;

The SAVAK guy who jumped on Ed's car makes a comment to the SAVAK with the scar. The scarred SAVAK turns, and spots Ed through the window.&nbsp; He reaches for his pants on the floor, grabs his gun, and runs, pantsless, toward the front door. The other SAVAK guy shoves the woman on his lap out of the way, and follows the scarred SAVAK guy to the door. Both wave their guns at the door, about to fire.&nbsp;

"No! Don't!" yells the tailor, "Wait!" The tailor throws himself between the front door and the SAVAK men.&nbsp;

"Don't shoot!" he says, as he unlocks the door. The two SAVAK men run to the middle of the deserted Rodeo Drive, and point their guns up and down the street.&nbsp;]]></content:encoded>
	<enclosure url="https://www.nightminute.com/cm/podcast-download/1669/minute-051-dont-shoot.mp3" length="31457280" type="audio/mpeg"></enclosure>
	<itunes:summary><![CDATA[Mister Williams taps the bearded man using the phone on the shoulder.&nbsp;

"Listen, Bernie, I'll call you back later," says the man on the phone. He hangs up and leaves quickly.&nbsp;

Hamid sits down next to the phone.&nbsp;

Back in the ladies' lounge, Diana answers the phone.&nbsp;

"Hamid?" she says.&nbsp;

"Just a moment, Diane," Hamid replies. He looks at Mister Williams, who looks at Ed.&nbsp;

Meanwhile, at the Battaglia tailor's shop, the SAVAK man who fell on Ed's car is eating caviar on a cracker. A woman on his lap sips champagne, while another woman eats shrimp cocktail. The SAVAK man with the neck scar removes his pants as the tailor measures his suit jacket.&nbsp;

Ed walks by the front of Battaglia's and looks in the window.&nbsp;

The SAVAK guy who jumped on Ed's car makes a comment to the SAVAK with the scar. The scarred SAVAK turns, and spots Ed through the window.&nbsp; He reaches for his pants on the floor, grabs his gun, and runs, pantsless, toward the front door. The other SAVAK guy shoves the woman on his lap out of the way, and follows the scarred SAVAK guy to the door. Both wave their guns at the door, about to fire.&nbsp;

"No! Don't!" yells the tailor, "Wait!" The tailor throws himself between the front door and the SAVAK men.&nbsp;

"Don't shoot!" he says, as he unlocks the door. The two SAVAK men run to the middle of the deserted Rodeo Drive, and point their guns up and down the street.&nbsp;]]></itunes:summary>
	<itunes:image href="https://www.nightminute.com/cm/wp-content/uploads/2019/04/itn051.jpg"></itunes:image>
	<image>
		<url>https://www.nightminute.com/cm/wp-content/uploads/2019/04/itn051.jpg</url>
		<title>Minute 051: Don&#8217;t Shoot!</title>
	</image>
	<itunes:explicit>clean</itunes:explicit>
	<itunes:block>no</itunes:block>
	<itunes:duration>32:13</itunes:duration>
	<itunes:author><![CDATA[Into the Night Minute Podcast]]></itunes:author>	<googleplay:description><![CDATA[Mister Williams taps the bearded man using the phone on the shoulder.&nbsp;

"Listen, Bernie, I'll call you back later," says the man on the phone. He hangs up and leaves quickly.&nbsp;

Hamid sits down next to the phone.&nbsp;

Back in the ladies' lounge, Diana answers the phone.&nbsp;

"Hamid?" she says.&nbsp;

"Just a moment, Diane," Hamid replies. He looks at Mister Williams, who looks at Ed.&nbsp;

Meanwhile, at the Battaglia tailor's shop, the SAVAK man who fell on Ed's car is eating caviar on a cracker. A woman on his lap sips champagne, while another woman eats shrimp cocktail. The SAVAK man with the neck scar removes his pants as the tailor measures his suit jacket.&nbsp;

Ed walks by the front of Battaglia's and looks in the window.&nbsp;

The SAVAK guy who jumped on Ed's car makes a comment to the SAVAK with the scar. The scarred SAVAK turns, and spots Ed through the window.&nbsp; He reaches for his pants on the floor, grabs his gun, and runs, pantsless, toward the front do]]></googleplay:description>
	<googleplay:image href="https://www.nightminute.com/cm/wp-content/uploads/2019/04/itn051.jpg"></googleplay:image>
	<googleplay:explicit>No</googleplay:explicit>
	<googleplay:block>no</googleplay:block>
</item>
	</channel>
</rss>
